Harmonic Brings Market-Leading Playout Capabilities to VOS … – PR Newswire (press release)

The VOS Cloud solution enables content and service providers to manage the video production and delivery workflow for broadcast and OTT on public or private cloud infrastructure. With playout functionality in the cloud, operators can perform channel origination and playout and drive further workflow simplification. The VOS Cloud solution handles a wide range of channel origination tasks, from accessing external storage to retrieve files and normalizing them as needed, adding secondary events like graphics and triggers and ensuring that the content is delivered in formats appropriate for OTT and broadcast. In addition, operators can support orchestrated VOD and live-to-VOD playout as well as streamlined acquisition of file-based assets.

These playout capabilities are also available for the VOS 360 SaaS (www.vos.tv), which is hosted in the public cloud and maintained and monitored by Harmonic. As part of the unique VOS 360 service, Harmonic provides around-the-clock DevOps coverage, a professional dedicated 24/7 monitoring and maintenance service focused on keeping services operational with rapid response time, resulting in better QoE for end customers.

Harmonic’s open architecture strategy allows seamless integration with ecosystem partners to ensure the delivery of true end-to-end OTT video cloud services. The VOS solutions have been successfully deployed in a wide range of environments and usage models, including live OTT services by a leading North American service provider in an OpenStack private cloud environment in conjunction with Mirantis, and are currently being used in numerous on-air service trials worldwide.

Harmonic will showcase its latest innovations for broadcast and OTT video delivery including cloud playout on VOS Cloud and VOS 360 offerings at the 2017 NAB Show, booth SU1210. Further information about Harmonic and the company’s products is available at http://www.harmonicinc.com.

About HarmonicHarmonic (NASDAQ: HLIT) is the worldwide leader in video delivery infrastructure for emerging television and video services. Harmonic enables customers to produce, deliver and monetize amazing video experiences, with unequalled business agility and operational efficiency, by providing market-leading innovation, high-quality service and compelling total-cost-of-ownership. More information is available at http://www.harmonicinc.com.

To view the original version on PR Newswire, visit:http://www.prnewswire.com/news-releases/harmonic-brings-market-leading-playout-capabilities-to-vos-cloud-and-vos-360-solutions-300443856.html

SOURCE Harmonic Inc.


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Harmonic Brings Market-Leading Playout Capabilities to VOS … – PR Newswire (press release)

NetApp Showcases Cloud-Connected, Next-Generation Media and Entertainment Solutions at NAB 2017 – Yahoo Finance

SUNNYVALE, Calif., April 19, 2017 (GLOBE NEWSWIRE) — NetApp (NTAP) will showcase cloud-connected and next-generation solutions and strategies for the media and entertainment industry at the 2017 NAB Show. The company, in conjunction with its partners, will demonstrate how NetApp data management solutions can accelerate production, modernize media data centers, and transform global repositories. The conference takes place from April 22 through April 27, 2017, at the Las Vegas Convention Center.

Media companies are challenged to find a balance between tried-and-true production approaches and designing global architectures for the future, said Jason Danielson, media and entertainment solution manager at NetApp. NetApp and its partners have supported hundreds of customers in integrating the public cloud into their operations, enabling them to seamlessly manage their data from on the premises to the cloud.

NetApp Demonstrations at NAB

NetApp cloud media services comprise several products within the NetApp Data Fabric portfolio, such as NetApp ONTAP Cloud, NetApp Cloud Sync service, and NetApp Private Storage. These products enable seamless data management across IT environments, including Amazon Web Services (AWS). Demonstrations of NetApp cloud media services will take place in AWS Elemental Media Services booth SU2202.

NetApp StorageGRID Webscale is an object storage solution for rich content, including videos and images, that combines a global namespace, enterprise reliability, and world-class support with industry-leading procurement and deployment options. Attendees can see StorageGRID Webscale integrations in Dalet booth SL6210, in Scale Logic booth SL5324, and in Telstra booth SU8812. A presentation will also be given at 3 p.m. Pacific Time on April 26 in the eMAM booth SL14509.

NetApp E-Series hybrid and all-flash storage arrays provide up to 12 uncompressed 4K frame-based video streams in only 2U with five-nines reliability. When paired with systems from Pixit Media, Quantum, EditShare, and Scale Logic, NetApp E-Series has become the basis for new broadcast and postproduction solutions for workgroups of every size. E-Series integrations will be on display in Scale Logic booth SL5324, in ATTO booth SL9611, and at 11:30 a.m. Pacific Time on April 25 in a Pixit Media presentation in NetApp meeting room S101LMR. Contact the NetApp for an invitation.

Additional Resources

About NetApp

Leading organizations worldwide count on NetApp for software, systems and services to manage and store data. We help customers capitalize on the value of their data in the hybrid cloud through our Data Fabric strategy, data management expertise, portfolio and ecosystem. To learn more, visit http://www.netapp.com.

NETAPP, the NETAPP logo, and the marks listed at http://www.netapp.com/TM are trademarks of NetApp, Inc. Other company and product names may be trademarks of their respective owners.

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NetApp Showcases Cloud-Connected, Next-Generation Media and Entertainment Solutions at NAB 2017 – Yahoo Finance

Prime Focus Technologies Partners With Complex Networks for … – TV Technology

CULVER CITY, CALIF.Prime Focus Technologies has signed a deal with Complex Networksthe new entity owned by Verizon and Hearstto deploy PFTs CLEAR Media ERP Suites media asset management module, Cloud MAM. The installation is designed to establish and operate a centralized, digital content repository that is easily accessible by departments across Complex Networks as well as for their content partners. CLEAR will be used for content operations, media asset management and expansion of Complexs content distribution channels.

CLEAR Cloud MAM will orchestrate end-to-end processes and workflows for content ingest, metadata modelling, storage, review and approval, as well as library and archive management. Cloud MAM will provide toolsets and mechanisms to Complex for seamless collaboration between various stakeholders of the network, including production houses, field producers and internal editorial teams. The Hybrid Cloud architecture will enable managing content workflows across multiple distributed Complex Networks locations while leveraging the benefits of the Cloud SaaS offering.

Cloud based media solutions are re-writing every aspect of the content lifecycle from aggregation and management to distribution and delivery, said Aleksey Baksheyev, CTO, Complex Networks. CLEAR is natively cloud and has proven expertise in managing local infrastructure, while supporting distributed workflows across sites and public cloud infrastructures as necessary through its centralized MAM application. This makes PFT the ideal partner to help us manage content more efficiently and expand our content distribution channels, meet increasing consumer demands, and achieve commercial objectives.

It is exciting to be working with an innovative company like Complex Networks to help them deliver cutting edge content to new-age audiences that are veering away from traditional TV, said Patrick Macdonald-King, President, Americas at Prime Focus Technologies. CLEARs hybrid architecture offers our clients a unique value proposition and I am pleased it will play a vital role in helping Complex Networks manage their workflows and execute content operations flawlessly across multiple locations with lowest Total Cost of Operations (TCOP).

PFTs award winning CLEAR Media ERP Suite has been successfully deployed on Cloud for more than nine years and currently operates over 170 hybrid cloud locations.

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Prime Focus Technologies Partners With Complex Networks for … – TV Technology

Cumulus cloud – Wikipedia

Cumulo- means “heap” or “pile” in Latin.[1]Cumulus clouds are often described as “puffy”, “cotton-like” or “fluffy” in appearance, and have flat bases. Cumulus clouds, being low-level clouds, are generally less than 2,000m (6,600ft) in altitude unless they are the more vertical cumulus congestus form. Cumulus clouds may appear by themselves, in lines, or in clusters.

Cumulus clouds are often precursors of other types of cloud, such as cumulonimbus, when influenced by weather factors such as instability, moisture, and temperature gradient. Normally, cumulus clouds produce little or no precipitation, but they can grow into the precipitation-bearing congestus or cumulonimbus clouds. Cumulus clouds can be formed from water vapor, supercooled water droplets, or ice crystals, depending upon the ambient temperature. They come in many distinct subforms, and generally cool the earth by reflecting the incoming solar radiation. Cumulus clouds are part of the larger category of free-convective cumuliform clouds, which include cumulonimbus clouds. The latter genus-type is sometimes categorized separately as cumulonimbiform due to its more complex structure that often includes a cirriform or anvil top.[2] There are also cumuliform clouds of limited convection that comprise stratocumulus (low-tage), altocumulus (middle-tage) and cirrocumulus. (high-tage).[3] These last three genus-types are sometimes classified separately as stratocumuliform.[2]

Cumulus clouds form via atmospheric convection as air warmed by the surface begins to rise. As the air rises, the temperature drops (following the lapse rate), causing the relative humidity (RH) to rise. If convection reaches a certain level the RH reaches one hundred percent, and the “wet-adiabatic” phase begins. At this point a positive feedback ensues: since the RH is above 100%, water vapor condenses, releasing latent heat, warming the air and spurring further convection.

In this phase, water vapor condenses on various nuclei present in the air, forming the cumulus cloud. This creates the characteristic flat-bottomed puffy shape associated with cumulus clouds.[4][5] The height of the cloud (from its bottom to its top) depends on the temperature profile of the atmosphere and the presence of any inversions.[6] During the convection, surrounding air is entrained (mixed) with the thermal and the total mass of the ascending air increases.[7] Rain forms in a cumulus cloud via a process involving two non-discrete stages. The first stage occurs after the droplets coalesce onto the various nuclei. Langmuir writes that surface tension in the water droplets provides a slightly higher pressure on the droplet, raising the vapor pressure by a small amount. The increased pressure results in those droplets evaporating and the resulting water vapor condensing on the larger droplets. Due to the extremely small size of the evaporating water droplets, this process becomes largely meaningless after the larger droplets have grown to around 20to 30micrometres, and the second stage takes over.[7] In the accretion phase, the raindrop begins to fall, and other droplets collide and combine with it to increase the size of the raindrop. Langmuir was able to develop a formula[note 1] which predicted that the droplet radius would grow unboundedly within a discrete time period.[8]

The liquid water density within a cumulus cloud has been found to change with height above the cloud base rather than being approximately constant throughout the cloud. At the cloud base, the concentration was 0grams of liquid water per kilogram of air. As altitude increased, the concentration rapidly increased to the maximum concentration near the middle of the cloud. The maximum concentration was found to be anything up to 1.25grams of water per kilogram of air. The concentration slowly dropped off as altitude increased to the height of the top of the cloud, where it immediately dropped to zero again.[9]

Cumulus clouds can form in lines stretching over 480 kilometres (300mi) long called cloud streets. These cloud streets cover vast areas and may be broken or continuous. They form when wind shear causes horizontal circulation in the atmosphere, producing the long, tubular cloud streets.[10] They generally form during high-pressure systems, such as after a cold front.[11]

The height at which the cloud forms depends on the amount of moisture in the thermal that forms the cloud. Humid air will generally result in a lower cloud base. In temperate areas, the base of the cumulus clouds is usually below 550 metres (1,800ft) above ground level, but it can range up to 2,400 metres (7,900ft) in altitude. In arid and mountainous areas, the cloud base can be in excess of 6,100 metres (20,000ft).[12]

Cumulus clouds can be composed of ice crystals, water droplets, supercooled water droplets, or a mixture of them.[1] The water droplets form when water vapor condenses on the nuclei, and they may then coalesce into larger and larger droplets. In temperate regions, the cloud bases studied ranged from 500 to 1,500 metres (1,600 to 4,900ft) above ground level. These clouds were normally above 25C (77F), and the concentration of droplets ranged from 23to 1300droplets per cubic centimeter (380to 21,300droplets per cubic inch). This data was taken from growing isolated cumulus clouds that were not precipitating.[13] The droplets were very small, ranging down to around 5micrometers in diameter. Although smaller droplets may have been present, the measurements were not sensitive enough to detect them.[14] The smallest droplets were found in the lower portions of the clouds, with the percentage of large droplets (around 20to 30micrometers) rising dramatically in the upper regions of the cloud. The droplet size distribution was slightly bimodal in nature, with peaks at the small and large droplet sizes and a slight trough in the intermediate size range. The skew was roughly neutral.[15] Furthermore, large droplet size is roughly inversely proportional to the droplet concentration per unit volume of air.[16] In places, cumulus clouds can have “holes” where there are no water droplets. These can occur when winds tear the cloud and incorporate the environmental air or when strong downdrafts evaporate the water.[17][18]

Cumulus clouds come in four distinct species, cumulis humilis, mediocris, congestus, and fractus. These species may be arranged into the variety, cumulus radiatus; and may be accompanied by up to seven supplementary features, cumulus pileus, velum, virga, praecipitatio, arcus, pannus, and tuba.[19][20]

The species Cumulus fractus is ragged in appearance and can form in clear air as a precursor to cumulus humilis and larger cumulus species-types; or it can form in precipitation as the supplementary feature pannus (also called scud) which can also include stratus fractus of bad weather.[21][22]Cumulus humilis clouds look like puffy, flattened shapes. Cumulus mediocris clouds look similar, except that they have some vertical development. Cumulus congestus clouds have a cauliflower-like structure and tower high into the atmosphere, hence their alternate name “towering cumulus”.[23] The variety Cumulus radiatus forms in radial bands called cloud streets and can comprise any of the four species of cumulus.[24]

Cumulus supplementary features are most commonly seen with the species congestus. Cumulus virga clouds are cumulus clouds producing virga (precipitation that evaporates while aloft), and cumulus praecipitatio produce precipitation that reaches the Earth’s surface.[25]Cumulus pannus comprise shredded clouds that normally appear beneath the parent cumulus cloud during precipitation. Cumulus arcus clouds have a gust front,[26] and cumulus tuba clouds have funnel clouds or tornadoes.[27]Cumulus pileus clouds refer to cumulus clouds that have grown so rapidly as to force the formation of pileus over the top of the cloud.[28]Cumulus velum clouds have an ice crystal veil over the growing top of the cloud.[19]

Cumulus humilis clouds usually indicate fair weather.[23] Cumulus mediocris clouds are similar, except that they have some vertical development, which implies that they can grow into cumulus congestus or even cumulonimbus clouds, which can produce heavy rain, lightning, severe winds, hail, and even tornadoes.[4][23][29]Cumulus congestus clouds, which appear as towers, will often grow into cumulonimbus storm clouds. They can produce precipitation.[23]Glider pilots often pay close attention to cumulus clouds, as they can be indicators of rising air drafts or thermals underneath that can suck the plane high into the skya phenomenon known as cloud suck.[30]

Due to reflectivity, clouds cool the earth by around 12C (22F), an effect largely caused by stratocumulus clouds. However, at the same time, they heat the earth by around 7C (13F) by reflecting emitted radiation, an effect largely caused by cirrus clouds. This averages out to a net loss of 5C (9.0F).[31] Cumulus clouds, on the other hand, have a variable effect on heating the earth’s surface.[32] The more vertical cumulus congestus species and cumulonimbus genus of clouds grow high into the atmosphere, carrying moisture with them, which can lead to the formation of cirrus clouds. The researchers speculated that this might even produce a positive feedback, where the increasing upper atmospheric moisture further warms the earth, resulting in an increasing number of cumulus congestus clouds carrying more moisture into the upper atmosphere.[33]

Cumulus clouds are a genus of free-convective low-tage cloud along with the related limited-convective cumuliform or stratocumuliform cloud stratocumulus. These clouds form from ground level to 2,000 metres (6,600ft) at all latitudes. Stratus clouds are also low-tage. In the middle tage are the alto clouds, which consist of the limiited-convective cumuliform or stratocumuliform cloud altocumulus and the stratiform cloud altostratus. Middle-tage clouds form from 2,000 metres (6,600ft) to 7,000 metres (23,000ft) in polar areas, 7,000 metres (23,000ft) in temperate areas, and 7,600 metres (24,900ft) in tropical areas. The high-tage clouds are all cirriform, one of which, cirrocumulus, is also cumuliform of limited convection or stratocumuliform. The other clouds in this tage are cirrus and cirrostratus. High-tage clouds form 3,000 to 7,600 metres (9,800 to 24,900ft) in high latitudes, 5,000 to 12,000 metres (16,000 to 39,000ft) in temperate latitudes, and 6,100 to 18,000 metres (20,000 to 59,100ft) in low, tropical latitudes.[12] Cumulonimbus clouds, like cumulus congestus, extend vertically rather than remaining confined to one tage.[34]

Cirrocumulus clouds form in patches[35] and cannot cast shadows. They commonly appear in regular, rippling patterns[36] or in rows of clouds with clear areas between.[37] Cirrocumulus are, like other members of the cumuliform and stratocumuliform categories, formed via convective processes.[38] Significant growth of these patches indicates high-altitude instability and can signal the approach of poorer weather.[39][40] The ice crystals in the bottoms of cirrocumulus clouds tend to be in the form of hexagonal cylinders. They are not solid, but instead tend to have stepped funnels coming in from the ends. Towards the top of the cloud, these crystals have a tendency to clump together.[41] These clouds do not last long, and they tend to change into cirrus because as the water vapor continues to deposit on the ice crystals, they eventually begin to fall, destroying the upward convection. The cloud then dissipates into cirrus.[42] Cirrocumulus clouds come in four species which are common to all three genus-types that have limited-convective or stratocumuliform characteristics: stratiformis, lenticularis, castellanus, and floccus.[39] They are iridescent when the constituent supercooled water droplets are all about the same size.[40]

Altocumulus clouds are a middle-tage cloud that forms from 2,000 metres (6,600ft) high to 4,000 metres (13,000ft) in polar areas, 7,000 metres (23,000ft) in temperate areas, and 7,600 metres (24,900ft) in tropical areas.[12] They can have precipitation and are commonly composed of a mixture of ice crystals, supercooled water droplets, and water droplets in temperate latitudes. However, the liquid water concentration was almost always significantly greater than the concentration of ice crystals, and the maximum concentration of liquid water tended to be at the top of the cloud while the ice concentrated itself at the bottom.[43][44] The ice crystals in the base of the altocumulus clouds and in the virga were found to be dendrites or conglomerations of dendrites while needles and plates resided more towards the top.[44] Altocumulus clouds can form via convection or via the forced uplift caused by a warm front.[45] Because Altocumulus is a genus-type of limited convection, it is divided into the same four species as cirrocumulus.

A stratocumulus cloud is another type of a cumuliform or stratocumuliform cloud. Like cumulus clouds, they form at low levels[37] and via convection. However, unlike cumulus clouds, their growth is almost completely retarded by a strong inversion. As a result, they flatten out like stratus clouds, giving them a layered appearance. These clouds are extremely common, covering on average around twenty-three percent of the earth’s oceans and twelve percent of the earth’s continents. They are less common in tropical areas and commonly form after cold fronts. Additionally, stratocumulus clouds reflect a large amount of the incoming sunlight, producing a net cooling effect.[46] Stratocumulus clouds can produce drizzle, which stabilizes the cloud by warming it and reducing turbulent mixing.[47] Being a cloud of limited convection, stratocumulus is divided into three species; stratiformis, lenticularis, and castellanus, that are common to the higher stratocumuliform genus-types.

Cumulonimbus clouds are the final form of growing cumulus clouds. They form when cumulus congestus clouds develop a strong updraft that propels their tops higher and higher into the atmosphere until they reach the tropopause at 18,000 metres (59,000ft) in altitude. Cumulonimbus clouds, commonly called thunderheads, can produce high winds, torrential rain, lightning, gust fronts, waterspouts, funnel clouds, and tornadoes. They commonly have anvil clouds.[23][34][48]

Some cumuliform clouds have been discovered on most other planets in the solar system. On Mars, the Viking Orbiter detected cirrocumulus and stratocumulus clouds forming via convection primarily near the polar icecaps.[49] The Galileo space probe detected massive cumulonimbus clouds near the Great Red Spot on Jupiter.[50] Cumuliform clouds have also been detected on Saturn. In 2008, the Cassini spacecraft determined that cumulus clouds near Saturn’s south pole were part of a cyclone over 4,000 kilometres (2,500mi) in diameter.[51] The Keck Observatory detected whitish cumulus clouds on Uranus.[52] Like Uranus, Neptune has methane cumulus clouds.[53] Venus, however, does not appear to have cumulus clouds.[54]

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Cumulus cloud – Wikipedia

Red or Blue Pill, Which One Gets us to the Media Cloud? – Cisco Blogs (blog)

Some amongst us, may still view the move of the media production industry to the cloud as something down the road. Far off in the future. An infinite amount of work to go. Something well see after 2020.

I disagree. The traces are already visible. Transition SDI to IP? Deployed. Appliance to virtual appliance to cloud? Also already happening, across the eco-system. You can see these traces in the growing fabric of ecosystem partnerships focused on how to best virtualize and orchestrate the stuff that was previously hard-wired together in traditional appliances.

The next big shift, is cloud-enabled workflows. Its the hardest of the bunch, because it goes beyond lift and shift, to cloud native and server-less. Scale transcoding jobs in the cloud, by spinning up instances faster, and turning up virtual farms of IP data centers to execute large jobs. Taking scalable cloudified workflow to the next level is about simultaneously automating diverse data centers, to get after any idle CPU capacity, and to process workloads in parallel.

A prime example is collaborative remote production and the use of all available local and cloud resources to get tribal viewing from glass to glass. How could future live broadcast events be experienced if production and engineering teams could dynamically reconfigure the system, and not get bogged down with pulling cables and constantly opening tickets to reroute a workflow?

The bottom line is this cloud is not just a cost-savings play, or a simplification play. Its also a move that seeds innovation throughout the broadcast ecosystem, and especially in media production. Lets see how deep the rabbit hole goes.

If you want the overview of the vision and details of the ongoing work to make this happen; please take the red pill and join me on Tuesday at 11:30, in room S222-223. Ill be there with some friends: Jim Blakley, GM of Intels Visual Cloud Division, and Andrew Lippman, Associate Director at MIT Media, in a keynote session titled The Naked Truth About Media Production In An IT Stack.

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Red or Blue Pill, Which One Gets us to the Media Cloud? – Cisco Blogs (blog)

Cloud Peak Energy (CLD) Receives Daily Media Sentiment Rating of 0.33 – Markets Daily

Cloud Peak Energy (CLD) Receives Daily Media Sentiment Rating of 0.33
Markets Daily
Cloud Peak Energy logo News stories about Cloud Peak Energy (NYSE:CLD) have trended positive on Friday, according to AlphaOne Sentiment Analysis. The research firm, a unit of Accern, ranks the sentiment of media coverage by analyzing more than …

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Cloud Peak Energy (CLD) Receives Daily Media Sentiment Rating of 0.33 – Markets Daily

Media Science International Selects Hybrik for Cloud Encoding – StreamingMedia.com (press release)

Mountain View, CA(4/20/2017) –

Media Science International (MSI) today announced that it has selected Hybrik to power its StudioCDN service. StudioCDN ensures the delivery of secure, fully-trackable, digitally-stamped media assets.

“Hybriks cloud transcoding system allows us to rapidly respond to large customer requirements,” said Graham Oakes, CEO, Media Science International. “The features, performance, and cost-effectiveness of Hybrik made this an easy choice.

MSI is a pioneer in the world of watermarking and digital delivery. Its StudioCDN service is used by some of the largest content owners in the world to ensure early access to content can be safely shared with journalists and partners. Each delivered piece of content is individually watermarked for the recipient and tracked during delivery and playback. StudioCDN currently delivers more than 2 million watermarked media assets each month.

“The secure management and delivery of early-access assets is a critical piece of the content production workflow,” said David Trescot, CEO of Hybrik. “We are excited to be working with MSI to accelerate their encoding process in the cloud.”

Hybriks large-scale transcoding platform is in use by some of the largest media companies in the world. Its service is based on Amazons AWS cloud platform and provides transcoding, quality control, accelerated file transfer, large-scale storage, and streaming to deliver superb video optimized for every screen.

About Media Science International MSIs detailed anti-piracy forensics solutions offer 360-degree content protection and business intelligence. Specializing in Digital Watermarking along with Anti-Piracy Monitoring and Takedown services, MSIs innovative secure digital delivery and asset tracking technologies are used by numerous multi-national media corporations. MSIs StudioCDN and WebCapio products can be quickly and efficiently integrated into our clients digital asset management and content distribution workflows. Learn more at http://mediascienceinternational.com.

About Hybrik Based in Mountain View, Calif., Hybrik is the new standard in cloud-based, large-scale media workflow management. Our comprehensive service cost-effectively delivers video optimized for every screen with integrated transcoding, quality control, accelerated file transfer, large-scale storage, and streaming. Learn more at http://www.hybrik.com.

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Media Science International Selects Hybrik for Cloud Encoding – StreamingMedia.com (press release)

Beta version of cloud native MAM on show – Broadcast

Cantemo has launched a beta version of its hybrid cloud media management product Iconik and will show it at NAB.

Built natively for the cloud, Iconik can work independently or integrate with Portal, Cantemos existing MAM (Media Asset Management) offering.

Chief executive Parham Azimi said, Many organisations are seeing the benefits of moving to a cloud, or in many cases, hybrid cloud environment. Iconik is built specifically for those environments, whilst being scalable and affordable. This means that it can cater to the smallest of organisations, and to the biggest, offering a new level of efficiency in global collaborative workflows.

Iconik features will include ingest, distribution, rights adherence and metadata processing.

The application can be deployed on any cloud provider and includes a Bring Your Own Storage option that allows users to keep their content in its existing location.

Content can be indexed from numerous media sources including local SAN or existing cloud storage, including aggregating the metadata and the rights involved.

Iconik is currently being made available in a beta version to a limited number of existing Cantemo customers.

Booth SL9024

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Beta version of cloud native MAM on show – Broadcast

What To Look For From an AWS Managed Service Partner – The Media Temple Blog (press release) (blog)

To be fully unlocked, the true potential of cloud hosting needs to be paired with the expertise of a Managed Service Provider (MSP). An MSP can, indeed, help enterprises smoothly navigate the intricacies of the cloud and make sure their cloud environment aligns with their business goals. But finding the right partner can prove more difficult than many decision-makers typically expect. Checking the following considerations off the list can speed up the search for the MSP thats best suited to unleash all the benefits of the cloud, in particular when it comes to Amazon cloud, Web Services (AWS).

AWS building blocks can be incredibly complex and time-consuming for any in-house IT team to properly stack together into a complete solution. Hence, the need to lean on established cloud experts who have in-depth knowledge of AWS 40+ service types, pricing model and custom API, and can ensure the smooth building / migrating / managing of a new or existing environment on AWS in optimal conditions. By outsourcing repeatable SysOps-like services to a MSP, enterprises will offload the burden of implementing the initial configuration or ongoing maintenance/updates from the internal IT team, thus enabling them to pick up some bandwidth and go back to fully focusing on deploying IT strategies that help support their business objectives.

When it comes to the cloud, many enterprises with complex, global applications or high-traffic websites find that their needs change over time from increasing demands associated with business growth and expansion into new marketplaces to scaling down once a peak period has ended. The right MSP will make sure to anticipate these changing business needs and match a companys AWS environment accordingly by proactively recommending that its scaled up or down, in order to ensure uptime and performance.

The MSPs level of support should remain a crucial criteria in the selection process. There are significant advantages to going with an MSP that offers the next level of support, namely 24/7 support and round-the-clock access to certified cloud experts and dedicated account managers who can provide a true white glove treatment, ensuring that all AWS services receive appropriate attention.

In conclusion, the ideal MSP should do more than just create, build or migrate AWS environments. They should provide enterprises with the peace of mind they need to stop worrying about the cloud and only focus on running their business.

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What To Look For From an AWS Managed Service Partner – The Media Temple Blog (press release) (blog)

Adobe updates Creative Cloud video tools for pros ahead of NAB 2017 – 9 to 5 Mac

Adobeis announcing several new updates to its pro video tools in itsCreative Cloudsuite ahead of the National Association of Broadcasters Show. NAB 2017kicks off on Saturday and runs through Thursday, and Adobe is releasing new features for filmmakers and video producers including updates forgraphics and titling, animation, polishing audio and sharing assets; support for the latest video formats, such as HDR, VR, and 4K;new integrations with Adobe Stock; and advanced artificial intelligence capabilities powered by Adobe Sensei.

Adobe also highlights new video tools powered by its Sensei technology which is the companys AI and machine learning framework, tighter integration with Adobe Stock, and new Adobe Experience Cloud integration.

Adobe Creative Cloud Propels Video Forward at NAB 2017

Latest Release Features New Capabilities in AI, VR, Motion Graphics, Live Animation and Audio

SAN JOSE, Calif. April 19, 2017 Ahead of the National Association of Broadcasting (NAB) conference, Adobe (Nasdaq:ADBE) today announced a major update for video in Adobe Creative Cloud to help filmmakers and video producers collaborate and streamline video workflows. The Creative Cloud release, available today, delivers new features for graphics and titling, animation, polishing audio and sharing assets; support for the latest video formats, such as HDR, VR, and 4K; new integrations with Adobe Stock; and advanced artificial intelligence capabilities powered by Adobe Sensei. Announced at Adobe Summit 2017, Adobe Experience Cloud also allows brands to deliver connected video experiences across any screen at massive scale, while analyzing performance and monetizing ads.

Technology advancements and exploding consumer demand for impactful and personalized content require video producers to create, deliver and monetize their video assets faster than ever before. From the largest studio to next generation YouTubers, a scalable, end-to-end solution is required to create, collaborate and streamline video workflows with robust analytics and advertising tools to optimize content and drive more value.

Ive been using all of the Adobe creative programs as part of my visualization process since the early days in movies includingThe Aviator,Avatar andHugo, said Rob Legato, a three-time Academy Award winner and VFX supervisor ofThe Jungle Book. Over the years, technology has improved steadily, largely due to Adobes groundbreaking innovations such as Dynamic Link between Adobe Premiere Pro and After Effects, Cinema 4D integration with After Effects, and native workflows. I rely on Creative Cloud to help me pre-visualize and freely experiment on all my films, creating an opportunity to take our creative process to the next level.

Our heritage is taking complex challenges and simplifying them so you can concentrate on storytelling and professional, quality work, said Steven Warner, vice president of digital media at Adobe. The newest Creative Cloud video release integrates the advanced science of Adobe Sensei to make common tasks faster and easier. All video producers whether theyre part of the major media companies or up and coming YouTubers can now bring their creative vision to life without having to be motion graphics or audio experts.

Attendees at this years NAB can get a closer look at the newly available features and hear from industry experts at the Adobe booth (#SL4010, South Hall in the Las Vegas Convention Center) and at over 140 partner booths from April 2227.

New Capabilities Power Creativity From Start to Finish The new capabilities in Creative Cloud video tools include: Motion Graphics Templates now bring the power of After Effects to Premiere Pro through easy to use templates, allowing creators to add beautiful titles, animations and lower thirds to their videos and create custom motion graphics templates which can be shared via Creative Cloud Libraries. Essential Sound Panel in Premiere Pro lets users make audio mixes and sound improvements that in the past would have required a dedicated session by an audio engineer. Camera Shake Deblur in After Effects rescues unusable footage by reducing motion blur that often occurs with camera shake. Character Animator (beta) continues to invent the future of live animation with new technology that now animates multiple puppets created in Adobe Photoshop CC or Adobe Illustrator CC, and embraces full body animation with new walk cycles. Team Projects (beta) allows Creative Cloud for teams or enterprise members to have a secure cloud-first collaborative workflow with new support for DynamicLink and Adobe Media Encoder to streamline collaboration. Ambisonic audio in Premiere Pro expands on its best-in-class native support for VR with positionally-aware audio for VR enabled platforms like YouTube and Facebook. Hundreds of third-party integrations including Apple touch bar support for MacBook Pro and new Microsoft Surface Dial functionality in Premiere Pro with shuttle control in the timeline as well as changing hot float and text values.

Powered by Sensei Leveraging Adobe Sensei, Adobes artificial intelligence and machine learning framework, users can now automatically normalize audio loudness across an entire timeline with a single click in Premiere Pro or Audition. In Character Animator, Sensei applies complex algorithms in real time to ensure a puppets lip synch is perfect. Within Adobe Experience Cloud, a video recommendation engine learns from hundreds of billions of online video consumption points to surface for audiences the most relevant content.

Integration with Adobe Stock Deeply integrated into Creative Cloud workflows, customers have access to millions of Adobe Stock video assets, including 4K and HD, and the ability to search and scrub through video directly in the application. New to this release, editors looking to sell their work can now effortlessly contribute to Adobe Stock through the Destination Publish workflow inside Premiere Pro and Adobe Media Encoder, and reach millions of creative buyers. Adobes Destination Publishing already supports the worlds top social video sites, publishing to YouTube, Facebook, Twitter and Behance in one easy step.

I have been shooting, editing and uploading stock footage for over a decade. The new ability to contribute to Adobe Stock straight from Premiere Pro is an incredibly valuable tool that makes uploading and selling stock much quicker and easier to do. This new feature is a true game-changer for stock footage producers, said Robb Crocker, CEO of Funnelbox and author ofStock Footage Millionaire.

Integration with Adobe Experience Cloud As the needs of video creators from creative agencies to media companies change to reflect a data-driven future, Adobe Experience Cloud benefits the entire video journey, from delivery, to measurement and monetization across screens. Through Adobes TV Media Management platform [link], media companies and broadcasters can leverage analytics to give advertisers true audience-based targeting and more accurate forecasting. Adobe Analytics Cloud enables the measurent of performance video content published to social media channels within Premiere Pro and ensures video ads are targeted and forecasted with a high degree of accuracy.

Adobe Advertising Cloud bridges the gap between traditional TV and digital video advertising, streamlining the ad planning and buying process, enabling deeper collaboration with creative agencies through dynamic creative optimization (DCO), and ensuring maximum brand safety for video ads with the most third party integrations in the industry.

Pricing and Availability The new features for Adobe Creative Cloud announced at NAB are now available with the latest version of CC 2017. The company is offering Adobe Creative Cloud for U.S. $49.99 a month. For more information, visithttp://www.adobe.com/go/video. Multiple subscription plans for Adobe Stock are available at https://stock.adobe.com/plans.

About Adobe Adobe is changing the world through digital experiences. For more information, visitwww.adobe.com.

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Adobe updates Creative Cloud video tools for pros ahead of NAB 2017 – 9 to 5 Mac